![]() ![]() Take the time to mark accidentals, expressive and dynamic markings, and identify repeating patterns of scales, sequences, intervals, and varying articulations, to ensure that each etude is learned correctly from the start. M.23 - the low C on the first note of beat 1, change to an E-flatĪs you begin work on these etudes, study your music away from your instrument. M.22 - the low C-sharp on first note on beat 4, change to an A-flat (2nd and 4th notes in beat 4 of m. M.18 - the low C on the last note of measure, change to an E-flat M.9 - the low C-sharp on the last note of beat 1, change to an F-sharp M.6 - play the low C-sharps and low Ds up an octave ![]() 16 - last note is a G-natural, not a G-flat 14 - second note in BEAT 2 is a C-natural, not a C-sharp 14 - second note in BEAT 1 is an A-natural ![]() The scale is movable and can be used for all Major scales.M. The fingerboard diagram below shows a C Major scale for one octave with a three notes per string shape. The 5-string bass is relatively common and there are two standard tunings: BEADG and EADGC. See also The Bass Scale Collection eBook for graphical overviews of scales in all keys in different categories. The four-stringed bass are normally stringed as the for lowest (thickest) strings on the guitar. One-octave shapes will often be the same, but not two-octave shapes. The shapes can, however, differ since four strings instead of six are involved. Minor scales (tab + notation) The relationship between bass and guitar scalesĪs long as you stick with the standard tuning (EADG), the scales for bass will be "same" as for the guitar. Bass scales in pdfĬhoose between scales presented with fingerings as tabs or tabs together with standard notation. The numbers above the tablature are suggested fingerings. ![]()
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